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Squibs

Contributed by Glen Berry

Hi, I'm a begining film maker and planning out my first 16mm short story project, and I've run into a snare. In my script it calls for the use of squibs (several charactors get shot at at close range), and I can't afford the REAL "deals". Is there anyone out there that can give me guidance on making my own with fairly easy to find (and fairly inexpensive) materials?? If you have any ideas or suggestions, they would be greatly appreciated.

We personally don't recommend using squibs unless you have some professional experience with them. We've seen zealous (but misguided) filmmakers attempt to make their own with black powder or other home-grown explosives in a highly unsafe manner.

The following answer, provided by Jeffrey A. Brewer, President of Skyline Entertainment in Hartford CT, is a great tip for you squib builders out there.

"I made a film last summer and the script called for squibs. We as well could'nt afford to buy them so we used duct tape, baggies, molasses blood mix, and a high powered air compressor. Cut the Baggies in the shape of your squib, tape them over with the duct tape leaving a "window" of baggie exposed, hot glue a piece of tubing in the squib, (make sure thier are no leaks) tape the squib under the clothing of your actor and attach the hose. With a razor or exacto knife, score a slight slit in the clothing. When you turn on the compressor the baggie fills with air and makes the squib burst sending the blood mix out like a wound. It worked wonderfully and looked great!"

Berry is the founder of the Northwest Film School and the creator of Film Underground, a popular and successful network of Moviemaking web sites that includes Cyber Film School.

A former member of the Whatcom Film Association Board of Directors, he also has twice served as the director of the Northwest Projections Film Festival. An award-winning filmmaker, Berry specializes in post production and is currently employed as an editor and post production supervisor on professional independent productions. Berry has written for “The Complete Idiot’s Guide to Filmmaking,” “MovieMaker Magazine,” Cyberfilmschool.com and Filmfestivals.com. He also has served as an expert source for international newspaper and radio media outlets.

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