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C-mount focus

1st 16mm camera
I will be purchasing my first 16mm camera, and I had some questions. I have a budget of $15,000 through American Express Equipment Financing, and I am interested in getting the best package I can for the purpose of making 16 mm (or Super 16mm) indie films. I own a recording studio, so I knowledge about recording sound just not in terms of cameras (sync etc.) I know Arriflex, but I have little experience with the 16S, 16BL, and SR3. I have even less knowledge about Bolex. So ultimately my question is this ... can you suggest the best set up with these budget requirements?
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Buying Rawstock
I was looking for a good source for 16mm raw stock. I found your site but am not sure as to whether you sell raw stock or just have general information. Ordering information was mentioned on the production page, but I didn't see any additional information on how to order. Do you sell raw stock and if you do how do I order it?
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Film Camera for Shorts
My questions for you are...
A). What is a good, user friendly 16mm camera to start on for independant[sic] short films? I am interested in something flexible... variable speeds, attachment options, ect...
B). Is it worth while to purchace editing equip. or should I just use rental suites?
C). Is 16mm still a good format to use or is it going to become the dinosaur that 8mm has become?
I hope you can help me out with my novice questions, I am anxious to get started on using film cameras rather than video. From what little I know your prices look pretty good and maybe you have something I could use.
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Eclair ACL 16mm
I'm seriously interested in an Eclair ACL crystal sync camera. It seems to be a decent camera from what little info I can find about it. I really like the fact that I can upgrade it to super 16. It's also shoulder mount and in my price range.

Any input on this subject?
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Contributed by Carl Schietinger

It dawned on me recently that if a C-mount lens is screwed in too far or not far enough, even by a hair, the focus will probably be off. How can I optimize focus in a non-reflex 16mm camera?

Two things to keep in mind: 1) Your camera needs to be checked and set to the factory original flange focal distance of 17.52mm 2) Lens needs to be professionally collimated to the same factory standard.

Carl is the President and Owner of New York Technological Cinevideo Services, a camera rental and sales house in New York City.

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